Writing Assignment #3 Prompt: Susan Manning argues that segregated and integrated seating at performances between 1930 and 1970 influenced spectatorship and cross-viewing in relation

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Writing Assignment #3 Prompt: Susan Manning argues that segregated and integrated seating at performances between 1930 and 1970 influenced spectatorship and cross-viewing in relation to the dancing body. According to Manning, how did spectatorship and cross-viewing influence how the dancing body was “read” or understood as racially marked and unmarked?

Reading: Susan Manning, Preface and Introduction, Modern Dance, Negro Dance: Race in Motion

Notes: (what I was told about the last writing that I need to fix)

Footnote goes after the period at the end of the sentence.

Instead of using passive voice, try using active voice. For example, your introductory sentence can be re-written to read: “Black performance theory is an extensive multidisciplinary field of research and critical methodology.”

Writing Guidelines (very important):

  • Write a one-page analysis
  • Use 2 quotes and 2 footnotes
  • Write using an academic/formal tone: must be a scholarly writing assignments
  • Use specific examples(multiple) in readings to support your analysis
  • Times New Roman Script 12 point font

Writing Assignment #3 Prompt: Susan Manning argues that segregated and integrated seating at performances between 1930 and 1970 influenced spectatorship and cross-viewing in relation

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